Sure to be one of 2011's most subtly effective films, Céline Sciamma's second directorial effort, Tomboy (arriving after the well received Water Lilies),
is an understated yet powerful gem of a character drama, exploring
important issues of adolescent sexuality and identity with apparent
skill.
The
film follows 10-year-old Laure who moves into a new neighbourhood with
her parents and little sister. She meets another girl from the same
building who mistakes her for a boy. But instead of correcting her,
Laure announces herself as Mikael and proceeds to pretend she's a boy
when playing with her newfound friends.
What
could have been a horribly mishandled, exploitative film is instead a
quietly potent exploration of what it's like to be young and unsure of
who you are. Laure (played brilliantly by newcomer Zoé Héran) is treated
as a normal girl by her family but looks in the mirror constantly
wondering why she doesn't look like other girls. It's both
understandable and heart-breaking to see her try to be something she's
not, not yet ready to accept her gender because of how she looks.
At a lean 80 minutes, Tomboy uses
its time well to hit on pertinent issues and questions that are bound
to arise when dealing with this sort of subject. The short runtime is
actually quite a relief as these sorts of films can often drag on for
far too long, the important stuff often getting lost in the mix.
Writer/director Céline Sciamma knows what she's doing and doesn't waste a
second getting her points across.
At once low-key yet provocative, understated yet brave, Tomboy manages
to communicate to the audience in an extremely effective way without
crossing the line into showiness. An impressive second feature from
Sciamma, the film deals with issues of acceptance, youth identity and
belonging by intelligent means.
imdb
https://rapidshare.com/files/1318197024/agorkoritsofsn.rar
Subtitles: English, Francais, Espanol, Portugao, Italiano
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